The highlight of the second part of the book is when Heathcliff effectively kidnaps Catherine's daughter, who is called Cathy. With the three children now all under one roof, the latter half of the book parallels the beginning, when Catherine, Hindley, and Heathcliff were all children together in the same house. However, whether by a twist of fate or Heathcliff's mistreatment of the boy, Hareton's demeanor and place in the household resembles Healthcliff's childhood persona more than that of his own father, while Linton is so weak and sickly that he is the perfect opposite of Heathcliff.
Despite the clear similarities to the old rivalries, though, the children begin to converge, rather than to follow in the footsteps of their parents. Maddened by a desire for revenge, Heathcliff attempts to play them against one another, forcing Cathy to marry Linton so that he may inherit the neighboring property that belongs to his rival, Catherine's widower. Linton dies soon after. After Heathcliff's own death, the tale comes full circle: the estates return to their rightful heirs, Hareton and the younger Cathy fall in love, and Heathcliff’s legacy of revenge disappears almost without a trace.
Despite its early reception, the combination of unbridled passion and a complex storytelling form makes Wuthering Heights a favorite in many modern literary circles. The darkness of the story and the lack of accompanying moral teachings shocked many of its contemporaries, while the intricacies of the cyclical plot--the destruction and ultimate reunification of the families--were overlooked until recent decades. A novel that combines masterful literary devices with all of the scandals of a soap opera, Emily Bronte's Wuthering Heights was a drama far ahead of its time.
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